The lens cap allows you to leave the adaptor ring attached at all times while keeping the front element clean and safe. - Lee Filters Lens Cap - Pack Of 3 - Fhlc3 Black
LEE Filters have developed an entirely new filter system that enables you to use graduated and standard filters on a Tokina 16-28mm lens Landscape photographers have long understood the benefits of ultra-wideangle lenses, but their design constraints...
Gives a brown tinted monochrome look, less red than Chocolate. - Lee Filters Lee Filter Grads 100X150X2mm Sepia2 Soft Black 100mm x 150mm
ND standards can be classed as essential in modern photography. These filters absorb light evenly across the visible spectrum, therefore reducing the light entering the lens without affecting the image colour. Traditionally used on film for extending...
The shield helps to prevent unwanted back reflections and creates a light tight seal enabling the use of both the Little and Big Stopper. Photographers who already own the SW150 mark I can purchase the Lightshield separately and retro fit it to their...
The adaptor ring is crucial to the LEE Filters system. It screws onto the camera’s lens and, in turn, the filter holder clips onto the adaptor ring. The standard adaptor ring is suitable for use with lenses up to a moderate wideangle. It sits in front...
Filter the sky with minimal impact on the land. Ideal when elements like rooftops and mountains protrude into the sky. - Lee Filters Sw150 System 0.9 Neutral Density (3Stop) Medium Grad Filter Black 150 x 170mm
Reduces exposure by 2 stop without affecting colour balance. Hard transition from dark to light. - Lee Filters Neutral Density Grad 100 X 150mm 2mm Thick 0.6Nd Hard Black
The adaptor ring is crucial to the LEE Filters system. It screws onto the camera’s lens and, in turn, the filter holder clips onto the adaptor ring. The wideangle adaptor ring is suitable for use with wideangle lenses. It differs from the standard adaptor...
Designed to compliment the landscape, whether rural, suburban or busy city centre. The Real Blue 2 brings intensity to faded skies, while an inverted Straw 3 warms the foreground. Suitable for more classic landscapes, the Sepia 2 enhances the colour of...