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Image of Zoom SGH-6 Shotgun Microphone Capsule | Black
 

Zoom SGH-6 Shotgun Microphone Capsule | Black

SGH-6 - Shotgun Microphone Capsule for H5, H6, Q8, U-44, F4, and F8 Our optional SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone to your Zoom recorder, making it the perfect audio recorder for...


 
Image of Zoom U-24 Handy Audio Interface | Black
 

Zoom U-24 Handy Audio Interface | Black

STREAMLINED MOBILE RECORDING ZOOM U-24 2in/4out, Handy Audio Interface The U-24 is a compact, 2-in/4-out audio interface that provides all of the essential tools you need for recording and performing with high resolution, 24-bit/96 kHz audio—anywhere...


 
Image of Zoom U-44 Handy Audio Interface | Black
 

Zoom U-44 Handy Audio Interface | Black

THE CENTERPIECE OF YOUR MOBILE STUDIO ZOOM U-44 - 4in/4out, Handy Audio Interface The U-44 is a compact, 4-in/4-out audio interface that enables you to record and perform wherever you are. Small enough to fit in the palm of your hand, the U-44 comes equipped...


 
Image of Zoom WSU-1 Windscreen | Black
 

Zoom WSU-1 Windscreen | Black

WSU-1 - Universal Windscreen The WSU-1 Universal Windscreen reduces wind noise while remaining acoustically transparent. It can be used with the H1, H2n, H4n, H5, and H6 Handy Recorders, as well as the iQ5 microphone and Q2HD Handy Video Recorder. - Zoom...


 
Image of Zoom XYH-5 - X/Y Microphone Capsule | Black
 

Zoom XYH-5 - X/Y Microphone Capsule | Black

XYH-5 - Shock Mounted Stereo Microphone Capsule The XYH-5 shock-mounted X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These mics are housed within an advanced shockmount that employs rugged...


 
Image of Zoom XYH-6 - X/Y Microphone Capsule
 

Zoom XYH-6 - X/Y Microphone Capsule

XYH-6 - Adjustable Stereo Microphone Capsule The XYH-6 stereo X/Y capsule employs two angled high-quality unidirectional mics which are sensitive to signals coming from the front but less to signals coming from the sides and rear. X/Y recording is optimum...